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The Rig-Out's interview with Carlo Rivetti: three people talking in a stockroom lined with boxes, one in a camouflage jacket

The Rig-Out’s Glenn Kitson and Antony Crook took a trip over to Italy recently to interview Stone Island’s capo di tutti capi, Carlo Rivetti. Originally appearing on Selectism, here’s some out-takes and quotes from the full interview, which will appear in the up-coming issue of The Rig-Out, this is just a little taster… I guess this could be called the antipasti? Mind you keep some space for the main, from what we’ve seen it’s weighty.

Close-up of a box of yellow and black Stone Island compass badges beside a sewing machine with a tray of black buttons

Carlo Rivetti:

“From a certain point of view we (Stone Island) are a medium sized company. Everybody thinks we are much much bigger, I hope we do grow, we are growing. But size is not everything. I’m not interested in becoming the company that is doing 1.5billion turnover. I don’t want to compromise, I cannot compromise as this is my life. I will continue this way. We are successful and truly independent.”

“We are more interested in product design than say, ‘fashion design’. Each piece can stand alone. Every piece has a reason, we never make something simply out of beauty. It has to have a function. It is in the DNA. It is product design, we look at sport, movement, purpose.”

“The type of consumer who buys Stone Island are normal ‘real’ men. For them it is basic. Women, sport, cars. Stone Island is a brand for real men. It’s natural. The approach is natural. Let Gucci do the fashion, its not my cup of coffee but it’s perfect for them. I’ll be honest, I do not want to dress women.”

Close-up of black four-hole buttons stamped Stone Island, piled in a metal tray Someone in a quilted olive jacket with a Stone Island compass badge on the sleeve, among cages of clothing in a warehouse Corked glass flasks of dye in brown, red, amber and black, with handwritten labels such as Bruno 26L Worker in a pale lilac work coat at a long table sorting grey garments, with shelves of yarn cones behind Large wall map of Italy above a workbench piled with garments, a lilac work coat hanging to one side Vietato Fumare no-smoking sign on a white tiled wall above blue industrial sockets and a hanging cloth Large industrial drum machine with a round porthole door on a factory floor, blue barrels and wire cages beside it

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